Lessons from the Cleavers: “Leave it to Beaver” Can Teach Us A Lot

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Although I’m a Gen-zer, thanks to my parents I grew up hearing the strains of Leave it to Beaver’s theme song and the show’s narrator announcing “and Jerry Mathers, as the Beaver”. I count this as a blessing, and as an adult I’ve come to highly appreciate and value what the show teaches.

Before I begin, if you’ve never seen Leave it to Beaver, it’s a 1950s sitcom focusing on a comfortable modern family of four who lives in the fictional town of Mayfield. The Cleavers have a nice car in the garage, a TV set in the den, and plenty of cake in the kitchen. (Truly, Beaver is iconic in its own right. The housewife of the show, June Cleaver, is noted worldwide for wearing a strand of pearls even while vacuuming the floor or cooking dinner.) But the show doesn’t stop at the surface level. It’s wholesome and humorous, with each episode teaching lessons about relationships, parenting, and everyday problems.The parents, Ward and June, strive to bring up their sons, Wally and Theodore (nicknamed “Beaver”), in a loving yet firm way. Those familiar with the series know that though the boys might gripe about such trifles as having to change their socks or wash behind their ears before supper, they respect their parents highly.  

In any sort of assessment involving Beaver, one question appears without fail: Is the series “sanitized” and “unrealistic”? Many ridicule it for its “perfectness”. A well-known reviewing platform calls the show “squeaky clean”, “dated”, and “a very isolated look at a white, American suburban middle-class family”. To the pessimistic viewer, Beaver seems too picture-perfect, too buttery smooth. Let’s keep in mind the context of the show. The post-war boom of the 1950s brought a time of prosperity, evidenced in a lifestyle of plenty and wide variety. To us of 2025, Beaver could appear sanitized because our present culture embraces everything including and celebrating the gritty, the ugly, the shocking, the profane, and too often (sad to say) even the pornographic. This was all unacceptable in the 1950s. Also, as another source points out, those referring to the show as “sanitized” forget that issues such as divorce, smoking, alcoholism, lying, cheating, bullying, profanity, and the dysfunctional families of Wally’s and Beaver’s friends are addressed.

As for its being “unrealistic”, the situations dealt with in Beaver are entirely the opposite. Wally and Beaver repeatedly get into mischief, challenging Mr. and Mrs. Cleaver as they tackle raising their boys. For example, there’s the time when Beaver’s best friend runs away from home but decides to go no farther than the Cleaver home. Then there’s the time when Wally gets the hideous new haircut popular with all his friends at school. In another episode, Beaver buys his mother a garish blouse and expects her to wear it in public. A blogger reviewing the series remarks that “for all the criticism of this series, it is a more accurate depiction of the late 1950s and early 1960s than the more highly regarded Mad Men [2007-2015 TV series set during the 1950s]. I don’t recall one Betty Draper from my childhood but I do remember lots of June Cleavers.” Perhaps the main the reason Beaver is targeted as being “unrealistic” is the astounding pleasantness of the home, which is fully functional. The father goes to work, the mother stays home, and the children are well-disciplined and respectful to their parents. This is rightfully portrayed as happy and normal.

To the adult, the most obviously precious thing about the show is the solid correction exercised by the parents. It encourages moms and dads to be an honest guiding force for their children, as well as to take a firm (but loving) approach to discipline. The show also prompts parents to look at things through the eyes of their children. (It’s noteworthy that the parents’ authority is never questioned by the boys.) Mr. and Mrs. Cleaver discuss parenting issues together—still, it’s always the father who ends up making the decision about how to implement any needed discipline. When either Wally or Beaver do something wrong, Mr. Cleaver always asks, “Why do you think you are being punished?” He makes it clear to the boys exactly why they’re being punished, growing their awareness between right and wrong. Most often, however, it’s the boys who tell on themselves and go to their parents because of a smarting conscience. Yes, Mr. and Mrs. Cleaver make mistakes, but they also admit to them, and in one episode, Ward remarks to his wife, “You know, sometimes when I talk to those boys, I don’t know who learned more—them or us.”

A highly enjoyable aspect of Beaver is how it’s mainly told from the child’s perspective. The conversations between the youngsters are humorously frank, highlighting the differences in kids and adults. For instance:

Wally: Dad sure was angry at us today for not cleaning up the garage.

Beaver: Yeah. Boy, when I grow up, I’m never gonna yell at my kids.

Wally: Sure you will. The only fathers who don’t yell at their kids are on television.

The show’s scriptwriters did an outstanding job of taking adults back to the child’s world, particularly in the episodes when Wally and Beaver find themselves in mischief. However, the boys know that while they’ll receive a lecture and the proper punishment from their parents, they’ll also be granted loving forgiveness.

Peer pressure is another area the series explores. Many episodes deal with situations such as “Dad, all the guys are going to the show on Saturday, and if I don’t go, they’ll think I’m a creep” or “I’d rather croak than have a chaperone. My friends will think I’m a real square.” (Obviously, 1950s lingo is in full force on the show.) Mr. and Mrs. Cleaver deal with all such problems fairly, pointing out to the boys the faults of going along with the crowd. In the end, the boys always realize that their parents are right. Sometimes, even Wally’s and Beaver’s wild, carefree friends express a wistful desire to have such caring parents.

Every so often, Wally and Beaver are led astray by the peer pressure of their less-disciplined friends. First and foremost, there’s Wally’s best friend, Eddie Haskell. Eddie is obnoxiously polite to Mr. and Mrs. Cleaver (famous line: “that’s a very pretty dress, Mrs. Cleaver”) and consistently counsels Wally to do things “the easy way”. Yet no matter how forcefully Eddie attempts to glamorize lying and mischief, Wally always ends up doing the right thing. “Look how this guy throws the truth around” Eddie says once, to which Wally replies, “You should try it sometime.” And Beaver’s friends are not much better. Richard and Gilbert are notorious for leaving Beaver holding the bag when there’s any sort of trouble on the horizon, while Larry is often a coward and a huge tattle-tale.

Wally and Beaver’s relationship is special. The first season or two presents Beaver as a nuisance and tag-along to Wally, but Wally quickly morphs into taking more interest in his little brother, looking out for him protectively in a kind, feeling way. He never uses Beaver as a scapegoat—he always sticks up for him, defending him from embarrassing situations when possible. Wally counsels Beaver on everything from writing interesting essays for school, to dealing with babysitters, to the benefits of brushing teeth. His advice is usually taken by Beaver, who stands in awe of his big brother. As Wally is first to become an “adult”, Beaver quickly realizes the benefits of being a “kid”. Always trying to be a good example to his brother and friends, Wally Cleaver deserves to be extolled as the ultimate nice big brother. Beaver put it this way: “You know something, Wally? I’d rather do nothin’ with you than somethin’ with anybody else.”

As for the parents, the relationship between June and Ward Cleaver is book-worthy. She’s a typical mom and housewife. He’s a businessman and the leader of the household. In one episode, when Mr. and Mrs. Cleaver slightly disagree on how a situation should be handled, it turns out that her method, if used, would have been correct. Ward Cleaver afterward calls his wife aside to say, “Dear, thank you for not saying ‘I told you so’.” They never once degrade each other in front of the children (nor, as a matter of fact, even when they’re alone). Nor do they discuss tense issues in front of Wally and Beaver. When Mrs. Cleaver says something to the boys, Mr. Cleaver backs her up. Yet if he has good reason to recall her words, she graciously sees, and vocally affirms, that he knows best. They clearly have a strong marriage, fully respecting each other and the roles each has in the home.

“It’s a great show and I’m very, very proud of it,” Mathers (who played Beaver) later said. “It’s nothing I want to walk away from.” No, we’ll never return to 1950s America and its nice cars, strands of pearls, and saddle shoes, but we can learn from Leave it to Beaver because its lessons are timeless and can be applied in every generation. The Cleavers weren’t perfect, but they had a high standard of living we can all strive for. I feel that Beaver most resonates with the wisdom of Proverbs 22:6, “Train up a child in the way he should go, and when he is old he will not depart from it.”

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Natalie Morris
Natalie Morris
Almost monthly, Natalie Morris opens up her laptop to write about issues affecting average Americans (such as herself). She enjoys discussing things that we all come into contact with daily, such as people, culture, the online world, and our citizenship. Morris, who serves Christ as her Lord and Savior, joined the list of TTC columnists in 2021.

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