Original ‘Naked Gun’ Director David Zucker: ‘To make fun of the left, you really can’t do that in Hollywood’

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A master of the spoof genre, Mr. Zucker says studio executives are ‘overly sensitive.’

It’s a bird! It’s a plane!  No, it’s another reboot from someone other than the original creators—though not for a lack of trying.

Even before the 30th anniversary of “Naked Gun 33 1/3: The Final Insult” last month, die-hards of the spoof genre’s trilogy have acknowledged its non-coincidental uptick in availability on cable and streaming of late.

Due for release on July 28, 2025, the fourth “Naked Gun” will see Liam Neeson play the lead character Frank Drebin Jr.; Seth MacFarlane of “Family Guy” fame as producer; and Akiva Schaffer from comedy trio The Lonely Island as director.

David Zucker, one-third of the “Zucker, Abrams, and Zucker” comedy team that crash-landed upon the smash-hit studio comedy scene with “Airplane!” (1980), ran directorial point on the police procedural riffs “Naked Gun” 1 and 2, and co-wrote all three.

The beloved “Naked Gun” film franchise (1988–1994) follows the exploits of bumbling lieutenant Frank Drebin, originally played by the late Leslie Nielsen. It was born from 1982’s short-lived “Police Squad!,” a six-episode small-screen experiment that didn’t work because “TV audiences needed a laugh track at the time,” Mr. Zucker told The Epoch Times.

Mr. Zucker has since continued to forge his legacy on more sight-gags, pratfalls, self-deprecating zingers, and non-sequiturs galore—beloved hallmarks of his most iconic films.

His last true classic was arguably 2003’s “Scary Movie 3,” agrees The New York Times in its glowing revisitation last year.

It was a watershed success that primed Mr. Zucker, now 76, and his unique brand of humor for the millennial generation, garnering $220 million at the box office on a $48 million budget.

However, after “Scary Movie 4” (2006) raked in massive returns as well, Mr. Zucker’s hot streak ran cold when he miscalculated the landscape’s palate for conservative sentiments.

Suddenly, he and his lot were in danger of being shunned from the same table they not only set but helped to build.

By Michael J. Reistetter

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